Part of what inspires me about this form is its resemblance to aerial photographs of river deltas and other geological phenomena. Perhaps it is a minimalistic interpretation of what an alluvial fan looks like from above.

Suspensions is a black & white series created from the Aesthetic Explorations series. Although they are digital, when these images are printed, the resulting effect is one of a detailed pencil or charcoal drawing.

A 4×4 matrix of high quality images, representing a small portion of the parameter space of these particular attractors. This large monoprint was part of my BFA exhibition at the University of Central Florida, where I first started developing artwork from strange attractors. You may recognize some of the individual images, as I have since taken them out of their original context in this work to reinterpret them.

One of the thousands of images generated during development of the Faces of Chaos series, chosen for its subtle detail and evocative overall form. What do you see? An owl, spider, space ship… something else?

Two artworks created from thousands of individual “faces” during my exploration of Lyapunov space. With gaping, leering mouths and fractured skull-like forms, these images evoke tribal customs surrounding death or spiritual forces. The latest incarnation of these death masks finds them inserted, mirror-like, into oval Baroque-style frames: And here’s what they looked like in my solo exhibition, Process & Influence: